ADJUSTMENT (English version)

  The Bornless ritual is the basic building block for magical work if we want to come into contact with our Holy Guardian Angel (HGA), invoke it, and in general get in touch with this manifestation of ourselves in some way. Of course, there are other methods and ways of working, but in this article, I am only concerned with this ritual. I believe ritualization is essential if we are not concerned only with random appearances. It is also a practice where it is the contact with the HGA, whether external or internal, that we purposely aim for under our Will (serious intent). In magic, we also find approaches in which HGA becomes uninteresting or only a marginal issue. People practicing this way have other priorities, which is also perfectly fine. In this article, I draw on approaches where, on the contrary, any work with HGA is a priority. It can take different forms, have different intensities, and also manifest in different ways within the manifestation, and it is not at all relevant wh

  First of all, I want to say that blood is not necessary for magic, not even necessary. Blood in magic is a superstructure. Simply something extra if you hold the view that at certain times and in certain rituals it is more than appropriate. It is absolutely not appropriate to force yourself into this practice for any reason. Magic will survive without blood because there are many other ways and directions in which you can self-realize in magic. I'll point out things that can be used to replace blood as well. There it will be more about the symbolism of blood.  We associate blood with life and the colour red is its symbol. Often this colour alone is enough because there is a connection with the symbolism of blood. It is the colour of the runes, the various seals that we animate. Often red wine is used symbolically instead of blood (the more ferrous the better).  For practical effects, it must be remembered that the blood itself does not stay red for long, but its colour changes to

  I ask the amiable reader to take this article as an introduction to an exciting approach to magic. When I write about the concept of "vampiric magic" I mean an introduction that can be applied successfully in any magic, not something special. To write about vampirism in magic is to write about a topic that is controversial in itself because most people immediately think of fangs, streams of blood, hypnotizing others, and in the worst case, unorganized manipulation. I am not going to write about the fact that this includes sawing teeth (performed professionally by a dentist), robbing blood banks, or the bad habit of letting your hypnotized victims levitate. I no longer intend to fulfill the pop culture idea of a vampyre or a vampire, nor do I aim to reflect on whether someone should be a vampyre, or feel like a vampire, and I will no longer discuss the so popular topic of adolescent youth, how to become a vampire. I am not kidding with you, there exists the possibility of fi

  If I started practicing magic many years ago, I have no idea what type of magic it would be. Indeed, I was interested in Ancient Egypt,  vampirical horror stories, Lovecraft, and the Thoth tarot deck. Before me lay a long path full of ambushes, difficulties,  and  emotionally tense situations. We all are personalities with various dispositions and various handicaps, and  for personal growth, we have to get to know ourselves with both these sides and balance them. In this article, I write about my main branches of magic.    I am the type of mage who needs immediate contact with entities. If I am writing about the mage I mean the psychical state. This way of work interested and absorbed me, but doing this work for practical life is considerable two things: The first is the learning to perceive every eternal being without fantasies. This type of learning has  demands on time and consistency.  The second is the cultural context. I am still convinced that a cultural context plays a decisi

Fairytales, fantasy books, and LARP are „places“ where you can find „magic“. But what is it like to practice magic in the material realm? You will find the answer to this question on your own. I want to tell you about my path from LARP to magic. Fantasy stories and LARP could be good for practicing the imagination and help bring out enough creative spirit for later magical practice. But there is a danger that consists of  unreal ideas and trapping yourself in a fantasy/LARP world and fantasies about your own  abilities, whether good or bad. There is only one way to get off these fantasies, self-knowledge, and awareness of our fallibility, our „unheroic“ sides, but also the positive ones on which we can build. If we want to get somewhere in the magic, we must look in the mirror and admit: This is me. It is not easy, but necessary. Only then can we begin to work with ourselves. To get rid of something, to change something, to strengthen something, and to start a magical practice as a psy

My path to Nordic magic was not so romantic in the beginning. It is romantic yet. I am describing my way to this wonderful path in this article.    At first, these were attempts to perceive the gods I understood as intelligent entities, not as phenomena of nature or some clusters of energies. My period of trying to find something has lasted a few years. I have gone into nature and performed libations for the gods. I have to say that from the beginning I gravitated towards the god Týr, without a logical explanation for it, only my feelings. Pretty soon after that, I made my wooden rune pendants. But since I was not adept at magic, they had no magical charge. They just didn't work. So far I have only obtained information from the Internet. After a while, I got some information about runes from one person trying to be popular, especially among the pagan community. Unfortunately, the information provided about the runes was often out of step with their standard meaning. A person with a